‘He wants
you to break in,’ says Control.
We’ve
been prowling around the outside of the house, casing the joint, pressing our
faces up to windows at different angles, shielding our eyes from the light,
doing whatever we can to cheat the nets and see if anything looks amiss. But the
house is tidy and quiet, exactly as you might expect a house to look after the
owner had gone out.
Or not
come down.
I look
around.
There’s
a tortoiseshell cat, calmly cleaning herself on an upturned apple crate. She
stops to watch as I try some of the windows, then gives a condescending little
shrug and carries on. The garden behind her is as quiet as the house – cane
pyramids for the last of this year’s runner beans; an orderly bed of late
flowering plants; a shed with its door half-open. I step up onto a low brick
wall to get a better view, half expecting to see a pair of stockinged legs
sticking out onto the path. The whole place has taken on the sharper, darker lines
of a film set, variations on a theme of death and sudden collapse.
‘The
toilet window’s not secured,’ says Rae.
It’s a
PVC affair, a white hatch, levered at the top and opening a fair amount.
I drag a
dustbin over, grasp the window ledge, and hop up so that both feet are planted
either side of the bin. I pull myself up just enough to look inside, half
expecting to see Mrs Appleby slumped on the toilet. But the space is clear,
just the toilet seat, a metal handrail screwed into the wall either side, and a
paper holder.
I pull
myself up and stuff myself through the window head first, wriggling forwards as
far as I can, upside-down lizard-style down the back of the toilet wall until I
can just reach the handrails. As soon as I’ve got a good hold, I pull myself
through, drop my legs down onto the toilet seat, and stand up.
I go
through into the rest of the house.
‘Mrs
Appleby?’
The
kitchen is swept and clean, towels folded away, a lemony glow around the metal
sink and a dishcloth hung out to dry on the mixer tap.
I can
see Rae looking in through the window again, shielding her eyes to counteract
the glare.
‘I’ll
let you in the front,’ I mime and say.
I go
through an empty lounge to the hallway.
But the
front door’s locked and I can’t find a key.
Rae is
round the front now, waiting on the little patch of lawn there.
‘I can’t
open it,’ I shout through the door. ‘She’s definitely not down here, though.
I’ll just check the rest of the house.’
I walk
up the carpeted stairs.
I call
ahead of me. ‘Ambulance! Hello?’ She might still be in bed – it’s about ten
o’clock, but she could be having a lie-in. I don’t want to terrify her.
‘Hello?
Mrs Appleby?’
All the
doors on the landing are shut.
She must
have gone out. Who would shut all the doors like this if they were staying in?
‘Mrs
Appleby?’
I open
the first.
A
box-room, used for storage. A giant stuffed teddy in an I wuv you t-shirt, gawping crazily from the top of a pile of bags
and boxes.
I shut
the door again.
‘Mrs Appleby?
Ambulance.’
I open
the second door.
A
bathroom.
The shower
curtains are drawn.
‘Mrs
Appleby?’
I pull
them aside.
There’s
a big garden spider in the bath, sitting by the plughole. I could swear it
looks up at me with the same expression as the cat.
I let
the shower curtains fall to again, and go back out onto the landing.
This
third door must be the bedroom.
I knock
and open it.
There’s
a mound in the bed.
‘Mrs
Appleby?’
But when
I get closer I realise she’s arranged the pillows on one side of the bed to act
as a barrier – a comforter? – and then draped the duvet over everything.
I shut
the door and go back down stairs. I can see Rae pacing about in the front
garden, reading something on her phone. I pull the net curtains aside and knock
on the window. When she looks up I mouth she’s
not here. Then I go into the kitchen, open one of the big windows and hop
up onto the draining board, knocking over a bottle of dishwashing liquid with
my boot.
I pause
on the window-ledge, figuring out the best way to jump.
The cat studies
me from the apple crate.
She
makes it pretty clear what she thinks.
7 comments:
A bit spooky, eh Spence?
It was spooky, Alan. I always find those jobs a bit edgy - but having said that, I quite like shimmying up drain pipes or kicking in doors. I should join the SWAT paramedic team - just so long as they don't have to break in to any haunted castles... :/
If only you'd used a little maglite torch to light your way Spence,then it would have been like an episode of Spooks.
I love the way they hold their torches in those programmes / films - gripped in a fist and held up by their chins. I blame the X-Files - they started the fashion.
Talking about this job - it's funny how your memory starts to wander. I'm convinced looking back on it that I went in through the cat flap.
Well you know what they say Spence.When the cat's away,the mice use the flap.
Did you ever find out where she was?
Incidentally I bought a copy of your book for my Kindle and loved it. I only recognised one of the pieces which either means I have a terrible memory (very possible) or that I haven't been reading for that long.
You made me cry on a flight from Milan with my colleagues but I don't thnk anyone noticed (the DNAR that wasn't officially DNAR was beautiful).
Nope - never did. Thank goodness I didn't kick the door in!
Thanks so much for buying the book, Baglady. I'm really pleased you liked it.
The Milan trip sounds great. I've only been to the south (Sicily), but loved it. I can really imagine living there. One day maybe.
Thanks again for the download and the encouragement, BL :)
Post a Comment